The Paris 2024 Olympics opening ceremony, held on July 26, has ignited a firestorm of controversy due to a segment that many are calling an offensive mockery of Christian beliefs and classical art. The event, orchestrated by French director Thomas Jolly, included a drag performance that depicted Leonardo da Vinci’s iconic painting “The Last Supper,” a move widely criticized by religious and conservative groups.
The ceremony, a blend of French culture and historical highlights, took place across several Parisian landmarks, including a temporary stadium at the Jardins du Trocadéro and various sites along the Seine River. One act overshadowed the intended message and sparked a significant backlash in what was meant to celebrate diversity and artistic expression.
Controversial Depiction of Da Vinci’s Last Supper
“Be not deceived, God is not mocked. For what things a man shall sow, those also shall he reap. For he that soweth in his flesh, of the flesh also shall reap corruption. But he that soweth in the spirit, of the spirit shall reap life everlasting.”
— Harrison Butker (@buttkicker7) July 26, 2024
Galatians 6:7-8 pic.twitter.com/bhCHoO1HXk
The controversial segment featured a group of drag performers reenacting “The Last Supper.” This portrayal, seen by many as a direct affront to Christian values, was considered by critics to be a blatant disrespect towards one of the most revered scenes in Christian art. The use of da Vinci’s masterpiece, which depicts Jesus Christ’s final meal with his apostles, was reimagined in a manner many found irreverent and provocative.
Adding to the contentious atmosphere, a Parisian drag queen was given the honour of carrying the Olympic torch. While some celebrated this decision as a step towards inclusivity, others viewed it as further evidence of the ceremony’s disregard for traditional values.
Public and Political Reactions
Religious leaders and conservative commentators were quick to condemn the performance. Many argued that using such a sacred image in this context was inappropriate and offensive. “This is not art; this is a mockery of our faith” was the most common comment.
Political figures also commented on the matter. Several conservative politicians accused the organizers of using the Olympics’ global stage to push a controversial agenda.
The incident has fueled a broader debate about the role of art and expression in public events. Supporters of the performance argue that it represents the freedom of artistic expression and the importance of visibility for marginalized communities. They contend that the Olympics, as a global event, should reflect the diversity and complexity of modern society.
Opponents, however, see it as a symptom of a more significant cultural shift that increasingly marginalizes traditional values and beliefs. They argue that such performances alienate large population segments and show a lack of respect for different viewpoints.
Woke Movement Penetrates Olympic Games
The Paris 2024 Olympics opening ceremony will likely be remembered not only for its artistic spectacle and innovative use of Parisian landmarks but also for the controversy it ignited. As the Games proceed, the debate over this provocative performance underscores the ongoing tension between modern artistic expression and traditional values.
Whether intended or not, the portrayal of “The Last Supper” has sparked a conversation that extends far beyond sports, touching on issues of faith, respect, and the ever-evolving landscape of cultural expression.
With all due respect for all the athletes competing in this edition, it seems that Woke Movement has deeply penetrated the Games. And it feels like it did it in the wrong hole.
![](https://valahia.news/wp-content/uploads/2020/07/enjoy-romania-experirence.jpg")
